Need to Know
23 : 05 : 22

Japan – The luxury jewellery brand has unveiled a sensorially driven headquarters building for its Kyoto-based workers. Together with Tokyo studio I IN, Cartier captures the brand’s luxurious heritage in harmony with Japanese aesthetics and traditions, using the brand’s signature red throughout the space in plush interiors, as well as champagne gold in floor-to-ceiling louvre panels.

Artisanal elements also root the space in Japanese identity, with elements including a tatami-matted platform whose piping was created by Kyoto-based artisans Hosoo. By elevating conventional working environments in this way, Cartier aims for its staff ‘to feel and touch the brand’s identity every day on a deeper level’.

Meanwhile, the tatami-matted platform invites wellbeing into the workplace. In a press release, the brand describes this area as: ‘A space to take off your shoes to relax, stretch and decompress, it pays homage to Japanese aesthetics and honours Cartier’s principles of artisanal quality and innovation.’

As Itai Palti writes for LS:N Global, science-informed approaches to workplace design can drastically improve employee creativity and productivity.

Global – Design collective Dutch Invertuals is examining the future of the natural world through a digital lens, as part of a collaborative exhibition at New York’s The Future Perfect gallery. Featured designers include Ada Sokół, Edhv Studio, Ausblau, Dae Uk Kim and Delphine Lejeune. Created with The Future Laboratory and experience design company Philips Design, the Expedition Æqualis exhibition marks the beginning of a three-year interdisciplinary design-research project. Its ultimate aim is to work towards a world that integrates all life systems, achieves biodiversity and encourages cultural diversity.

Part of the exhibition includes a carefully curated selection of digital artefacts that serve as part of a Web3 encyclopaedia. When these are sold as non-fungible tokens (NFTs), owners become ambassadors in the project. Artefacts include digitised seeds, alongside a variety of digital crystals and stones that aim to ignite a renewed imagination for the natural world. ‘We utilise the endless possibilities of Web3 technology to gain a better understanding of nature’s ingenuity and characteristics, and to discover how we can positively integrate its principles into future building blocks,’ explains the studio.

To discover more about how our eco-centric future will affect everything, look out for our upcoming Interspecies Architecture article, and join the Expedition Æqualis mission by becoming a member.

While global awareness of the climate crisis is growing rapidly, many consumers are still unwilling to make dietary changes to protect the planet. But a study of 31 countries by Ipsos reveals that many countries around the world are adapting their mindsets to eating less meat.

While expectations tend to fall on the West, the study found that Peru is leading the way in this shift, with 64% of Peruvians saying they’re likely to eat less meat as a way to cut their climate change impact. This was followed by Mexico (61%) and China (60%). At the other end of the scale, more than two in three (69%) people in Japan are concerned about climate change in their country, but just 29% of people say they’re likely to eat less meat for climate change reasons.

With a global community of Low-impact Eaters gradually leading a mass switch to plant-based diets, innovation is still needed to develop alternative proteins that appeal to the nuanced tastes of particular regions.