Need to Know
14 : 07 : 21

Ireland – Ubisoft's popular Assassin’s Creed adventure video game is being harnessed by Tourism Ireland to introduce its landscapes, Viking history and folklore to a new audience of gamers.

Marking the game's latest expansion pack, Wrath of the Druids, the collaboration allows players to make their way as Eivor, a Viking clan leader, through the country’s ‘otherwordly’ backdrops, immersing themselves in real-life locations such as the Giant’s Causeway, the Hill of Tara, Benbulben and Dublin. The campaign demonstrates how e-Tourism has been rebooted for a new era, in which people are using their imagination to travel while many global borders remain closed.

With popular Twitch influencers also tapped as part of the partnership – each promoting the mythical nature of Ireland to gaming communities across the UK, Germany, France and the Nordics – it’s clear that Tourism Ireland is doubling-down on the gamer demographic, a group that has only grown in size and diversity since the beginning of the pandemic.

Scotland – Bertie’s Whisky Bar is rethinking the way people experience whisky, encouraging visitors to explore its labyrinth of 365 bottles arranged by flavour profile. By eschewing the traditional counter bar in favour of discovery, the space encourages a deeper understanding of the spirits on display.

To create the visual identity for the extravagant bar, multidisciplinary studio Here Design has borrowed inspiration from King Edward VII – nicknamed ‘Bertie’ – and his ‘hedonistic love of opulence’. The whisky bar has been unveiled as part of the reopening of The Fife Arms, an iconic luxury hotel in Scotland’s highlands, and the space highlights the evolution of No-bar Bars, in which the disappearance of the back bar allows for more serendipitous interactions.

As such, visitors to Bertie’s Whisky Bar are encouraged to meander, turning to taste cards to learn more about the history of the drams they’re drinking. Hence why the bar has been labelled a ‘library’ by the design studio, building on the ambient and intimate spatial design.

The beauty landscape has significantly shifted, according to research from the global beauty brand, Avon. Its Future of Beauty report considers why tomorrow's product innovations and marketing needs to address new consumer priorities following the pandemic.

The end of anti-ageing is among the key post-pandemic beauty insights, with 2 in 5 women aged 55 and older no longer considering wrinkles and fine lines as one of their biggest skin insecurities. ‘The end result for skincare and beauty is that the story is not about simply anti- or pro-ageing, but about authentic ageing,’ explains Anthony Gonzalez, Avon’s director of global skincare and trend innovation.

The research reflects the extent to which the pandemic has not only highlighted the fragility of life but also considerably shifted attitudes to ageing as a result. With people increasingly rejecting these societal stereotypes, the market for Flat Age Beauty continues to grow.