What do we use cookies for?
We use cookies to enable the use of our platform’s paid features and to analyse our traffic. No personal data, including your IP address, is stored and we do not sell data to third parties.
Each of the models was then used to create plaster moulds from which a series of jugs, bowls and mugs were created.
The exterior surface of the pieces in the collection has a raw, unpolished, almost primitive aesthetic not typically associated with fine bone china. But on the inside the surface has been glazed and refined.
‘It was a conscious decision to stop the carving at an early stage of the process to capture the physicality of solid plaster and its similarity to a block of natural stone,’ Lamb tells LS:N Global. ‘In doing so, I highlight both the rawness of stonemasonry and the finesse required to carve intricate details such as a mug handle or the spout of a jug.’
Lamb’s collection will be launched at the forthcoming London Design Festival.
To learn more about 1882 visit LS:N Global’s Innovate section