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Once merchandise was shunned by the fashion industry, now it has become a booming industry that has expanded well beyond its roots.
Many predicted that digitisation would dominate the soul of the music industry. But then a funny thing happened. People still wanted a connection with the artist they admire, be it through vinyl, merchandise or CDs.
‘The thing that draws me to it is beyond the textural sound,’ says Gen Viz tribe member Lance Oppenheim, speaking on his love of records. ‘I really miss the days of having physical art.’
In recognition of this, there has been an explosion in artists cashing in on tour merchandise, be it Rihanna’s Bitch I Know You Know caps, or Blood Orange’s True Colors Fund scarves, which are being sold to benefit young homeless LGBTQ people.
It need not all be about the clothes or records, however. Frank Ocean released Boys Don’t Cry, a large-format magazine with a mix of established and up-and-coming artists, such as Wolfgang Tillmans and Tyrone Lebon, and a glossy foil wrap, to coincide with the launch of his album Blonde.
For more on why merchandise is in fashion, see our latest microtrend Band Brands.