Port City Talks Istanbul - Antwerp curated by Murat Tabanlıoğlu, MAS Museum, Antwerp, photography by Francois de Heel Port City Talks Istanbul - Antwerp curated by Murat Tabanlıoğlu, MAS Museum, Antwerp, photography by Francois de Heel
Port City Talks Istanbul - Antwerp curated by Murat Tabanlıoğlu, MAS Museum, Antwerp, photography by Emre Dorter Port City Talks Istanbul - Antwerp curated by Murat Tabanlıoğlu, MAS Museum, Antwerp, photography by Emre Dorter
Port City Talks Istanbul - Antwerp curated by Murat Tabanlıoğlu, MAS Museum, Antwerp, photography by Emre Dorter Port City Talks Istanbul - Antwerp curated by Murat Tabanlıoğlu, MAS Museum, Antwerp, photography by Emre Dorter
Port City Talks Istanbul - Antwerp curated by Murat Tabanlıoğlu, MAS Museum, Antwerp, photography by Emre Dorter Port City Talks Istanbul - Antwerp curated by Murat Tabanlıoğlu, MAS Museum, Antwerp, photography by Emre Dorter
Port City Talks Istanbul - Antwerp curated by Murat Tabanlıoğlu, MAS Museum, Antwerp, Photograph by Hasan Deniz Port City Talks Istanbul - Antwerp curated by Murat Tabanlıoğlu, MAS Museum, Antwerp, Photograph by Hasan Deniz

Border crossings

28 : 10 : 2015 Istanbul : Antwerp : Tabanlioglu

Antwerp – The iconic Museum aan de Stroom is hosting Port City Talks Istanbul - Antwerp, curated by Turkish architect Murat Tabanlıoglu.

Hosted in Antwerp’s docklands, the multimedia exhibition examines how the interactions that take place at ports and waterways have influenced the development of Istanbul and Antwerp as diverse global cities.

‘We began by asking the question: ‘What does a port mean for a city?’’ Tabanlıoglu tells LS:N Global. ‘It was very important for me to engage young artists in this discussion.’

Experimental artistic processes from 14 emerging Turkish artists are used to convey cross-cultural exchanges and modes of communication influenced by ports. Planner Sections by Emre Dörter and Elif Simge Fettahoglu is a series of striking aerial films of ships shot with drones, while Bridge by Dörter features two screens facing each other that play 10-second video portraits of people from Antwerp and Istanbul who appear to gaze at each other.

The scenographic design leads the visitor down a central passageway, the silhouette of which evokes the shoreline of Istanbul. Contrasting historical artefacts are displayed outside the tunnel, conveying an interplay with time.

The scale and narrative of the installations reflect the architectural nature of the curatorial team. ‘Normally, architects are not curators’, says Tabanlıoglu. ‘In the future, I think we will see more architects in this role.’ 

The Big Picture

Geographical and cultural boundaries continue to influence visual culture, with bilingual environments inspiring a wave of new design solutions. To unpack the present age of third-stage globalisation, read our New Bricolage Living macrotrend.

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