Milan – The Iceland Whale Bone project, a collaboration between 17 students at École Cantonale d’Art de Lausanne (ECAL) and the Iceland Academy of the Arts, is the result of a one-week workshop in which the two groups embarked on a design experiment in a barren landscape.
‘It was about going back to basics,’ ECAL’s Milos Ristin tells LS:N Global. Raw materials collected from the sea such as shark skin and shards taken from whale carcasses such as bone and tooth were used as resources.
‘It didn’t make sense to do things in a pragmatic way, simply because the environment didn’t invite us to follow that path,’ says designer Brynjar Siguroarson. Using only the primitive tools available to them, the designers developed a series of sculptural functional pieces, all holding the raw markings of their origin. The primitive collection includes Hrefna, an object composed from the skull of a minke whale, and Hákari, a collection of intricate blades made from the razor sharp teeth of the north Atlantic Greenland shark.
For other examples of the sensitive use of animal bio-products, see Studio FormaFantasma’s project Craftica for Fendi, presented at the latest Design Miami/Basel.
LS:N Global is reporting all week from Milan Design Week. Visit our Seed section for daily updates.